Thursday 13 November 2014

Bhavani Mandap-Kolhapur-www.vishvabhraman.com

 
Bhavani Mandap is a historical building situated in the walled city center of Kolhapur in southern Maharashtra, India. It is located near the famous and mammoth Mahalaxmi Temple on the west.
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Rankala Lake-Kolhapur-www.vishvabhraman.com

 
Rankala Lake is a picturesque lake in the Kolhapur District of the state of Maharashtra in western India.
It is surrounded by chowpati, other gardens and pathway. The area surrounding the lake has been converted into a garden where people sell Bhel-Puri, Ragda Patis and various mouth-watering snacks like roasted corns etc. Rankala is also famous for horse riding and boating.  The Shalini Palace stands on the west bank of the lake. It is built of intricately carved black stone and Italian marble. Recently, the palace is now converted into a hotel.

Today lake is facing problem of sewage pollution due to discharge of nallahs from residential areas nearby. Occurrence of algal species since last three years has led concern in minds of Rankala lovers in the city. Lake is turning green since 2011 in every August as this year also. KMC (Kolhapur Municipal Corporation) is striving hard to cope up with eutrophication. Problem of pollution is aggravated by visitors as they throw wastes in to the lake.
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Siddhagiri Gramjivan Museum (Kaneri Math)-Kolhapur-www.vishvabhraman.com

 
Siddhagiri Gramjivan Wax Museum (Kaneri Math) at Kaneri, near Kolhapur, Maharashtra, is a wax museum. The full name is Siddhagiri Gramjivan (Village life) Museum. It is situated at Shri Kshetra Siddhagiri Math.

Museum

Though Kaneri Math is well-known, the museum is less-known. A unique project, perhaps the only project in India situated at Shri Kshetra Siddhagiri Math, Kaneri, district Kolhapur, Maharashtra. The place is near Kolhapur city on Pune Banglore Highway. Shri Kshetra Siddhagiri Math has a history of more than 1000 years, and is a holy place of worship of Lord Mahadeva. The surrounding around the museum is very calm and quiet, a hilly place with a good collection of Flora and Fauna.

The project is a dream village of Mahatma Gandhi, visually and symbolically created through the vision and efforts of present 27th Mathadhipati H.H. Adrushya Kadsiddheshwar Swamiji.

The main objective of the Project is to refresh the history of self-sufficient village life before the invasion of Mughals in Maharashtra. There were 12 BALUTEDARS (12 main profession based casts i.e. Professions performed by generation by family members) and 18 ALUTEDARS, who provided equipments to all villagers useful in their day-to-day necessities of domestic as well as Agricultural life.

These Balutedars, Alutedars and others had a special characteristics with which they served society. The description of all 18 Alutedars, 12 balutedars and other people and there duties are vividly depicted in the museum.

The first phase of the museum spans over 7 Acres of area with almost 80 main scenes and around 300 statues. Several subtle village lifestyles are taken into consideration. There is a unique combination of expression, accuracy and liveliness in the whole village. Each sculpture has a multi dimensional effect and lifestyle theme which Swamiji very keenly arranged each and every scene to make a proper visual story. In the total cluster the village demonstrate a self-sufficient machinery within village. Barter economy, Interpersonal healthy happy relationship among villagers is reflected. The Museum projects the entire village as a single family, and as single family members in a joint family. No adulteration, no cut thought practice, no mad Rat Race, No pollution, but Caring, and delightful atmosphere, no bitter feeling, but fertile land, clean water, clean air, quality food, maximum use of natural resources, cattle field, livestock, job satisfaction. All these things are reflecting the beauty, Joy, satisfaction of human race and oneness with nature. It advises us to get back to nature, without disturbing the equilibrium of nature and many other things which are beyond our imagination.

Museum theme


This museum showcases different aspects of Gramjivan (village life). ‘Gram’ means ‘village’ and ‘jivan’ means ‘life’ in Marathi language. This initiative was dream project of Mahatma Gandhi, visually and symbolically created through the vision and efforts of Siddhagiri Gurukul Foundation Trust. The history of self-sufficient village life before invasion of Mughals in Maharshtra is depicted here in the form of cement sculptures. Each sculpture is lifelike and has a multi dimensional effect and lifestyle theme. There were 12 ALUTEDARS (12 main profession-based castes i.e. Professions performed from generation to generations by families) and 18 BALUTEDARS, who provided equipments to all villagers to fulfill their day-to-day necessities (domestic as well as professional).

The museum is spread over 7 acres (28,000 m2) area and has almost 80 scenes which showcase more than 300 statues. The surrounding countryside is beautiful and is surrounded with lush greenery. Every aspect of village life has been depicted in this museum. It is a perfect blend of fact, powerful imagination and enormous hard work in getting the lifelike expressions of the whole village.
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Panhala Fort-Kolhapur-www.vishvabhraman.com

 
Panhala fort [also known as Panhalgad, Pahalla and Panalla (literally "the home of serpents")], is located in Panhala, 20 kilometres northwest of Kolhapur in Maharashtra, India. It is strategically located looking over a pass in the Sahyadri mountain range which was a major trade route from Bijapur in the interior of Maharashtra to the coastal areas.[1] Due to its strategic location, it was the centre of several skirmishes in the Deccan involving the Marathas, the Mughals and the British East India Company, the most notable being the Battle of Pavan Khind. Here, the queen regent of Kolhapur, Tarabai, spent her formative years. Several parts of the fort and the structures within are still intact.
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Jyotiba-Kolhapur-www.vishvabhraman.com


Jyotiba (Marathi: ज्योतिबा) is a holy site of Hinduism near Wadi Ratnagiri [1]in Kolhapur district of Maharashtra state in western India. The deity of the temple is known by the same name, and is held by the locals to be an incarnation of three gods: Brahma, Vishnu, Mahesha, and Jamadagni. An annual fair takes place on the full moon night of the Hindu months of Chaitra and Vaishakha.

Jyotiba is 18 km north-west of Kolhapur.  According to the tradition, the original Kedareshwar temple was built by Navji Saya. In 1730, Ranoji Shinde built the present temple in its place. This shrine is 57 ft x 37 ft x 77 ft high including the spire. The second temple of Kedareshwar is 49 ft x 22 ft x 89 ft high. This shrine was constructed by Daulatrao Shinde in 1808. The third temple of Ramling is 13 ft x 13 ft x 40 ft high including its dome. This temple was constructed in circa 1780 by Malji Nilam Panhalkar.

Lord Jyotiba is the incarnation that destroyed Raktabhoj Rakshasa, and Ratnasur Rakshasa thus liberating the region from tyranny.

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Mahalakshmi Temple-Kolhapur-www.vishvabhraman.com

 
The Shri Mahalakshmi(AmbaBai) Temple of Kolhapur in Maharashtra, India, is one of the Shakti Peethas listed in various puranas of Hinduism. According to these writings, a Shakti Peetha is a place associated with Shakti, the goddess of power. The Kolhapur Shakti Peetha is of special religious significance being one of the six places where it is believed that one can either obtain salvation from desires or have them fulfilled. The temple takes its name from Mahalakshmi, the consort of Vishnu, and it is believed that the divine couple reside in the area.

The temple belongs architecturally to the Kannada Chalukya empire and was first built in the 7th century. Mounted on a stone platform, the image of the four armed and crowned goddess is made of gemstone and weighs about 40 kilograms. The image of Mahalakshmi carved in black stone is 3 feet in height. The Shri Yantra is carved on one of the walls in the temple. A stone lion, the vahana of the goddess, stands behind the statue. The crown contains an image of the Sheshnag — the serpent of Vishnu. In Her four hands, the deity of Mahalakshmi holds objects of symbolic value. The lower right hand holds a mhalunga (a citrus fruit), in the upper right, a large mace (kaumodaki) with its head touching the ground, in the upper left a shield (khetaka), and in the lower left, a bowl (panpatra). Unlike most Hindu sacred images, which face north or east, the image of this deity looks west (Pashchim). There is a small open window on the western wall, through which the light of the setting sun falls on the face of the image for three days around the 21st of each March and September. There are a number of other shrines in the courtyard to the Navagrahas, Surya, Mahishasuramardini, Vitthal-Rakhmai, Shiva, Vishnu, Tulja Bhavani and others. Some of these images date back to the 11th century, while some are of recent origin. Also located in the courtyard is the temple tank Manikarnika Kund, on whose bank is a shrine to Visweshwar Mahadev.

Worship Structure: Five worship services are offered each day. The first one is at 5 am, and it involves the waking of the deity with a Kakada - torch, to the accompaniment of hymns. The second worship service at 8 am involves the offeirng of the Shodashopachara pooja consisting of 16 elements. The afternoon and evening services and the Shejaarati pooja constitute the three other services.

Special Events: A festival image of the deity is taken out in procession around the temple courtyard each Friday, and on full moon days.


 
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